America Tycoon: The Wolf of Showbiz

Chapter 505 Chanel No. 5



Chapter 505 Chanel No. 5

```No one expected that this year's Cannes Film Festival would end in such chaos, with the battle between the two Isabelles sure to be remembered in the annals of film history.

Martin quickly returned to the hotel, and a steady stream of information kept coming in; it took a tremendous effort from the Cannes committee to appease Ajani, preventing the matter from escalating to the police.

In fact, Ajani wasn't hurt; the witchy sect leader was likely faking it most of the time.

Martin waited up until late night, only relaxing when Mene returned to the hotel.

The next morning, he specifically invited Mene to have breakfast together.

Peeling an egg at the breakfast table, Martin asked, "Are you alright?"

Mene replied with an embarrassed smile, "Just ruined a suit, nothing else."

Bruce said, "Last night you played the hero to save the beauty."

Confronted by Martin and Old Cloth, Mene didn't hide anything and said directly, "Actually, I could have pulled Yuper away, but I wanted to leave a deeper impression on her, so I stepped in between."

Martin gave Mene a thumbs up: "Impressive."

Bruce then said, "I didn't expect you to turn into a jerk!"

Mene scratched his head: "I learned it from you! Remember last time you were going after the Kardashian sisters..."

"Shut up!" Bruce snapped, embarrassed and angry.

Martin looked at Old Cloth: "Sisters? Buddy, what did you say at the start? Only loved Cohler?"

"Kim forced her way in, and Cohler was worried her sister would be sad and found it difficult to say no," Bruce said with a face full of innocent indignation: "What could I have done?"

He awkwardly but forcibly changed the subject: "Did Yuper say anything to you? After all you've done?"

Mene said, "She's taking me to meet the French female director Jeanne Labruna in the afternoon, recommending me for the lead male role in her new film."

Martin asked with concern, "Are you going to take it?"

"It's a lead role, after all," Mene laughed softly: "It's hard to refuse Yuper's kindness."

He took a sip of milk and added, "Yuper thinks that me acting alongside her fits the current social climate in France—you know, a white woman and a black man."

Martin nodded: "An art house film?"

Mene kept it simple: "Yuper's lead character is a promiscuous high-class call girl who initially loves her job but suddenly finds it stale. She seeks to rekindle her passion for work and finds the male protagonist, a psychologist."

Having re


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